Post by Admin on Jul 29, 2021 14:45:31 GMT
Event I'm reporting is from March 11, 2012
Trelane will read this, but after my statement I feel the high ranking Cyborg Trelane is in fear of losing his position and status now and so far no reply. I would say the Cyborg and human relations after this post exposing the insanity of the Cyborgs experiments and perhaps weather altering potential planet earth vaporizing technology is a maniacal genocidal weapon for Earth inhabitants. I’m in no position to declare war on the Cyborgs, however there posture towards Earth is a serious threat. A defense initiative must be taken and forward actions must be deployed to eradicate the Jupiter sized ship from ever creating an Energy Magnetized Vortex upon Earth again! We must and we will seize this ship and claim it for a more sensible race of beings that obviously understand the galactic politics of such a weapon and declare a moratorium universally amongst the alien races of a ban for its uses and all similar ships. The cyborgs had an agenda and it was not about merely refueling with hydrogen for a fusion based warp core gravity assist space distortion field displacement allowing light speed or greater. No the cyborgs in conjunction with absorbing fuel through the magnetized energy vortex have been experimenting with CME technology and I would not doubt the cyborgs were behind the 1859 Carrington Massive CME event on Earth, yes they did that. I declare the cyborg the scourge of the universe! I for one along with the Pleiadians vote for WAR with the Cyborgs. Take down the Cyborg AI network, hack it destroy it and they will be blinded and confused; thus their hive would not know what hit them they would be defenseless. Good bye Cyborgs!
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Twitter left wondering why solar observatory has re-opened
A Co-Lab on Developing Cyborg Arts – Interdisciplinary Collaboration and
Practice Based Solutions
The most effective way to have everyone in Team Glass come to a consensus and move to the next step was to sit with them during class and discuss their ideas as a group. After one particular rough patch of listening to all their concerns and difficulties about finding a solution to creating a solar flare sense, I analyzed the situation using ANT methodology. I saw that they had no ‘actor’ in that they had nothing supplying raw information for their project’s goal. I suggested they consult NASA’s on-line database of solar flare data to anchor their concepts in something tangible and known. A team member then came up with a programming solution to connect the raw data from the NASA space station to a piece of actual hardware. The data, though programming code, triggered a small light to turn on each time it reached a certain numeric threshold. Though it seemed like a small breakthrough, it completed the ANT network comprised of people and non-human ‘actors’. In this case the ‘actor’ turned out to be raw data that linked to programming code. Once the team saw actual progress in their project, they gained confidence in agreeing on a next step. They were now ‘punctualizing’ and passing ‘tokens’ between one another, and within the overall existing network. The next step consisted of finding the correct grade of silicon to make a synthetic skin that would encase LED lights. This skin would eventually be placed on the body.
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conjunction with ANT methodology involves identifying which actors are not passing tokens, how the network is de-punctualized, and if it is possible how to restart modes of communication between points in the network.
CONCLUSION
There were approximately 40 team members and students, as well as various guests for a sixteen-week co-lab developing cyborg art at Parsons School of Design in New York City. Three cyborg senses were created as functional proof of concepts. Using the methodologies of Bruno Latour’s ANT, team members collaborated in a practice based learning environment. ANT identifies an ‘actor’ within the network as either a person or a thing. This dynamically evolving designation evolved as the main ‘actor’ of each team shifted during the weekly meetings. The ‘actor’ could be the team leader, or the ‘actor’ could be the programming code. The next week the ‘actor’ could be the hardware. The following week it could be any of those three designations, or even more than one of them.
The ‘actor’ was examined to see how it communicated (punctualized), or did not communicate (depunctualized) within the confines of the network, including what kind of ‘tokens’ were, or were not passed. Structuring framing modes based in ANT analysis allowed various solutions to emerge. It required a skilled assessment of group dynamics with non-didactic interventions to keep all the ‘actors’ in the network fully engaged. As a methodology for a practice based learning environment in an art and design co-lab, ANT implemented practical solutions within a dynamic matrix of professionals, students, and evolving technologies.
journals.aau.dk/index.php/pbl/article/view/1948/1915
A Co-Lab on Developing Cyborg Arts –Interdisciplinary Collaboration and Practice Based Solutions
Cyborg Alien Race is the Original inventors of CME (i.e. Solar Flare Technology) utilizing a huge Jupiter sized spherical space ship.
More info on Betelgeuse visible Supernova